Film/Poem
| Friday | Hope Alkazar | 15:45 |
Alicia
Juana Robles
25' | 2024 | Super 8mm, 16mm, 35mm (still)
Ireland
Originally shot on Super 8mm film and partially blown up to 16mm for the creation of collages made up of abstract and composed photograms, the film explores the self-experimental search for artistic, gender and sexual identity of movement artist Toma Alice Péronnet.
Rain
Vasilios Papaioann
6' | 2024 | 8mm, Super 8, 16mm, H
United States
Rain, as circular shapes of memory imprinted on the fast paced celluloid or as liquid moving sculptures of the present in digital form, documents a verbal interaction between two people.
Picnic at Flatlands
Erdal Bilici
Erdal Bilici
9' | 2023 | Digital
Turkey
Picnic at Flatlands is a video on a poetic and explorative walk in and around Værløse Flyvestation, once an airbase that since has become a real estate developer wet dream, while some has been short-term rental workspace and some left abandoned. With two characters, one real and one 3D generated, the work walks us through these settings both the natural, domestic and hyper-real animated, quietly exploring while moving between them. The video acts as a backdrop for the artist’s continuing investigation of the transaction between our mundane, monetary desires and our need to connect with something sanctuary or natural. In fetishizing the idea of this ‘something’ it becomes an object – a place we bring the domestic into, controlling, regulating and eating on a blanket in it.
Nine Songs For Mert Öztekin: Untitled
Sinan Güldal
6' 29'' | 2025 | Digital
Turkey
A seemingly endless circle, built by fools to trap the fools.
The Land at Night
Richard Peter Tuohy
14' | 2024 | 16mm
Australia
I used to find the dusk a very unsettling time, as though the approaching night was something to be feared. It was as if, once night fell you could not flee, and had to face unspecified consequences. Maybe the land remembers and the night will reveal what we might have done...
